HUNDERTWASSER: THE FIVE SKINS AS INTERFACES OF COMMON EXPERIENCE

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Published: Nov 4, 2021
DOI: https://doi.org/10.26807/cav.vi12.448
Keywords:
skin interface interaction artistic perception arquitectonic space language environment sensorium

Main Article Content

José Luis Sánchez Ramírez
Universidad Pompeu Fabra
Úrsula Albo Cos
Universidad Nacional Autónoma de México

Abstract

The proposal in the work of the Austrian artist and architect Hundertwasser “Five skins”, invite us to rethink the way of staying in the world, which leads to an analysis through interfaces, letting aside the technological field, and understanding languages that derive in environmental, artistic, and architectural “forms of interaction”. This is a complex concept about the artist and his artwork “Five skins” about the meaning of the universe, in which a balance between the human animal, non-human species and the environment coexist.

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Article Details

How to Cite
Sánchez Ramírez, J. L., & Albo Cos, Úrsula. (2021). HUNDERTWASSER: THE FIVE SKINS AS INTERFACES OF COMMON EXPERIENCE. Index, Contemporary Art Magazine, (12), 64–75. https://doi.org/10.26807/cav.vi12.448
Issue
No. 12 (2021)
Section
Art Themes

Index, revista de arte contemporáneo maneja sus derechos bajo licencia Creative Commons Reconocimiento-NoComercial 4.0. En ese sentido los envíos quedan sujetos a la decisión del autor.

Author Biographies

José Luis Sánchez Ramírez, Universidad Pompeu Fabra

José Luis Sánchez Ramírez. (Mexico City, 1980). PhD candidate in Communication at the Pompeu Fabra University in Barcelona. Master in Communication and Politics from the Autonomous Metropolitan University, Xochimilco Unit. Graduated in Sociology from the same institution. He has an International Diploma in Innovation in the Public Sector from the Higher School of Public Administration of Bogotá, Colombia. He currently teaches classes in the Bachelor of Communication and Digital Media at the Universidad del Valle de México and is a researcher within the Support Program for Research Projects and Technological Innovation in Political Anthropology of Communication of the Faculty of Political and Social Sciences of the UNAM . It has national and international publications. Since 2013 he has dedicated himself to studying silence as a cultural field in tension with art and social practices, related to two main factors, the political and the aesthetic.

Úrsula Albo Cos, Universidad Nacional Autónoma de México

Úrsula Albo Cos. (Mexico City, 1981). Doctor in Social Sciences from the Universidad Autónoma Metropolitana, Xochimilco Unit, in the Area of ​​Communication and Politics. He did a research stay at the Department of Communication at the Pompeu Fabra University in Barcelona. He currently teaches political caricature in the Bachelor of Communication Sciences, UNAM. Likewise, he has carried out analysis and creation of speeches for different levels of government. He currently participates in various Programs to Support Research Projects and Technological Innovation on advertising, as well as analysis of political discourse at the Faculty of Political and Social Sciences of the UNAM. It has publications at the international and national level regarding memes, interfaces, transmedia, social movements and natural disasters.

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