Heterotopic Latin America: defining contemporary art and some curatorial experiences

Authors

  • Brenda U. Iglesias S.

DOI:

https://doi.org/10.26807/cav.v0i04.137

Keywords:

contemporary art, latin america, heterotopia, curators, Spain, Bolivia, Mexico

Abstract

This article is to goes through different curatorial experiences in, from, and about Latin America, to define contemporary art, from some voices of the artists themselves, curators, researchers, and critics. Interweaving such discourses, the debate focuses on time and space as determining variables; the time to which art is subscribed in a non-linear way, and in association with the coincidence of its spaces of representation. The concept of Heterotopia is proposed by Michael Foucault and, it is mentioned to address and describe contemporary art from the logic of the contemporary global world and discrepancy as a principle of cultural coexistence.

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Author Biography

  • Brenda U. Iglesias S.

    Brenda Úrsula Iglesias Sánchez Mérida, Venezuela 1978. Licenciada en Letras, Mención: Historia del Arte; egresada de la Universidad de Los Andes, Mérida, Venezuela, distinción Magna Cum Laude (2000). Magíster Scientiae en Historia, Teoría y Crítica de Arquitectura (ULA, 2005) y Doctora en Ciencias Humanas (ULA, 2016). Investigadora invitada del Grupo ULAGRAFE adscrito al CDCHTA (ULA). Miembro calificado del Programa de Estímulo a la Innovación e Investigación (PEII) como Investigador “A-1”. Actualmente Docente e Investigadora en la Escuela de Artes Escénicas de la Facultad de Arte (ULA). Líneas de investigación: Historia(s), Arte(s) y Representación; Imagen e Imaginarios; Estudios Culturales.

Published

2018-06-29

Issue

Section

Dossier

How to Cite

Heterotopic Latin America: defining contemporary art and some curatorial experiences. (2018). Index, Contemporary Art Magazine, 05, 62-69. https://doi.org/10.26807/cav.v0i04.137

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