Digital theory to detonate artistic creation:

digital reproduction characteristics as a pedagogical device for the arts

Authors

  • Pedro Cagigal UArtes

DOI:

https://doi.org/10.26807/cav.v0i06.168

Keywords:

digital media art, education, art, reproduction, trancoding, hypertextuality, automatation

Abstract

This article approaches theoretical principles of digital media’s characteristics for the development of pedagogical processes of art creation and analysis. The goal is to generate tools for students, teachers and art professionals for analyzing and creatively exploring changes in art and cultural production related to digital reproduction. Digital theory concepts by Lev Manovich, Mark Deuze and Ian Hutchby will be confronted relating them with art theory. The idea is to establish common grounds that allow artists from different disciplines to approach, read and generate creative processes from a critic understanding of a chosen media.

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Author Biography

  • Pedro Cagigal, UArtes

    Investigador y docente la Universidad de las Artes. Estudió artes visuales en la Universidad Católica del Ecuador y posee una maestría en Cultura Digital y Sociedad en King’s College London. Ha trabajado como artista y realizador audiovisual. Fue miembro del colectivo Wash lavandería de arte. En 2012 fue coordinador del Centro de Arte Contemporáneo de Quito  y en 2016 se desempeño Subsectetário Técnico de Emprendimientos Culturales en el MCYP.

Published

2018-12-31

Issue

Section

Dossier

How to Cite

Digital theory to detonate artistic creation: : digital reproduction characteristics as a pedagogical device for the arts. (2018). Index, Contemporary Art Magazine, 06, 112-124. https://doi.org/10.26807/cav.v0i06.168

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