Minor scene. Artistic-cultural practices in Chile, 1990-2015, by Carolina Benavente (2018)

Authors

  • Samuel Ibarra Independiente

DOI:

https://doi.org/10.26807/cav.v0i07.198

Keywords:

Artistic scene, artistic practices, performance, minor art, contemporary art, chilean art, post-dictatorship, Carolina Benavente

Abstract

This text is a performative approach to Carolina Benavente’s book Escena menor. Prácticas artístico-culturales en Chile, 1990-2015 [Minor scene. Artistic and cultural practices in Chile, 1990-2015] (2018). In order to do so, the writing of this book is situated in the Chilean posdictatorial context; the “minor” traits of artists and artistic collectives are approached and questioned; and the notion of “scene” occupied by the author is explored. Through the lens of performance art, scene emerges as a mixture of actuation and expectation, as the body that writes hybridizes with the body that lives in what we call an “experiential curatorship”.

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Author Biography

  • Samuel Ibarra, Independiente

    Samuel Ibarra Covarrubias (Santiago, 1975) es artista de performance y periodista. Ha incursionado en la dramaturgia, la dirección teatral y también en la actuación, en películas de cine independiente. Fue curador y coorganizador de la Bienal Internacional de Performance DEFORMES. Ha curado muestras y videos de performance como Máquina Cáceres, El Cuerpo Posible y UNEATABLE, entre otras. Es creador del Spinoza Festival. Ha sido colaborador estable de las revistas Arte y Crítica y Escáner Cultural.

Published

2019-06-30

Issue

Section

Reviews

How to Cite

Minor scene. Artistic-cultural practices in Chile, 1990-2015, by Carolina Benavente (2018). (2019). Index, Contemporary Art Magazine, 07, 252-256. https://doi.org/10.26807/cav.v0i07.198

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