Visual devices for the disappearance of the 43 students of Ayotzinapa, Mexico

Authors

  • Melina Jean Jean CONICET

DOI:

https://doi.org/10.26807/cav.v0i08.242

Keywords:

Ayotzinapa, disappeared, visual devices, visual culture, artistic activism

Abstract

On September 26, 2014, 43 students from the Escuela Normal “Rural Raúl Isidro Burgos” in Ayotzinapa disappeared in Iguala, Guerrero state, México. The case had immediate local and international repercussions. Manifestations of pain, indignation, but also of struggle, solidarity and empathy took place, in days of action on the streets; social networks followed every action in the months after the tragedy. This article analyzes, from visual studies culture and the practice of artistic activism, three emerging devices of this crisis, considered the most iconic and symbolic visual matrix to represent the normalistas: the number 43, the desks and their faces photographs.

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Author Biography

  • Melina Jean Jean, CONICET

    Magister en Historia y Memoria y Licenciada y Profesora en Historia del Arte, Universidad Nacional de La Plata (UNLP). Becaria de Investigación del Instituto de Investigaciones en Humanidades y Ciencias Sociales (IdIHCS, UNLP-CONICET). Doctoranda en Historia (FaHCE, UNLP). Integrante del Proyecto de Investigación La Historia Reciente y los usos públicos del pasado: militancias, etnicidad y políticas de la memoria desde/en América Latina del Centro de Investigaciones Sociohistóricas (CISH, IdIHCS, UNLP/CONICET). Investigadora y Secretaria de Comunicación y Relaciones Institucionales del Programa Interinstitucional de Estudios sobre Memorias, Migraciones, Exilios y Refugios (PIEMMER) (UNLP, UERJ, UNS, USACH, UCH).

Published

2019-12-31

Issue

Section

Dossier

How to Cite

Visual devices for the disappearance of the 43 students of Ayotzinapa, Mexico. (2019). Index, Contemporary Art Magazine, 08, 100-108. https://doi.org/10.26807/cav.v0i08.242

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