Español Samuel Beckett’s Artistic Research
DOI:
https://doi.org/10.26807/cav.v0i09.333Keywords:
Artist-subject, jouis-sens, necessity, Beckett, The Unnamable, Not I, Mallarmé, Joyce, Deleuze, Renciére, Badiou, Zizek, Sartre, Derrida, BenjaminAbstract
The comparative analysis of two works of the multidisciplinary artist Samuel Beckett —The Unnamable (literary text) and Not I (video art and theatrical piece)—, of his statements and the work of two artists who influenced his work (James Joyce and Stéphane Mallarmé), will lead us to distinguish the constitution of an artistic research (without disciplinary borders) committed to a precise idea of art and a radical artistic project that will distinctively mark his entire process and his becoming subject-artist.
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ÍNDEX, Journal of Contemporary Art, manages its content rights under the Creative Commons Attribution–NonCommercial 4.0 license. In this regard, submissions remain subject to the author’s decision.