Contemporary art, aesthetics and autonomy

Some notes on Juliane Rebentisch's aesthetics

Authors

  • Naím Garnica UNCA

DOI:

https://doi.org/10.26807/cav.v0i09.351

Keywords:

Art, modernity, policy, neoliberalism

Abstract

Over the last years, art’s philosophical thoughts, has probably been confronted to one of its greatest challenges: facing art’s present. From different theoretical traditions and argumentative positions, the notion of “contemporary art” is problematized in the philosophical field. In this article I present Juliane Rebentisch’s approaches to this topic. This philosopher can be acknowledged as an heir of the critical tradition of the Frankfurt Institute of Social Research. I try to highlight some warnings made by this author about the consequences of contemporary art and its analogies with market logics and the forms of neoliberalism.

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Author Biography

  • Naím Garnica, UNCA

    Naím Garnica  es Doctor en Ciencias Humanas por la Universidad Nacional de Catamarca, Argentina. Becario postdoctoral de CONICET en Argentina. Docente en UNCA, Departamento de Filosofía y director de Rigel. Revista de estética y filosofía del arte, Argentina.

Published

2020-07-01

Issue

Section

Art Themes

How to Cite

Contemporary art, aesthetics and autonomy: Some notes on Juliane Rebentisch’s aesthetics. (2020). Index, Contemporary Art Magazine, 09, 50-58. https://doi.org/10.26807/cav.v0i09.351

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