Representation in Pepe Avilés’ Al desafuero II
DOI:
https://doi.org/10.26807/cav.v7i14.424Keywords:
Photography, Ecuador, José Avilés, Ecuadorian Photography, Contemporary ArtAbstract
This essay proposes to analyze the representation of the figure within the photography series Al Desafuero II by Pepe Avilés. This series of photographs produced during the second half of the 90s mark a particular aesthetic in the conception of photography of the time and at the same time present the viewer with a theme that is worth observing in the midst of this historical context.
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Published
2022-11-30
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Section
Art Themes
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Copyright (c) 2022 Alexander Alcocer Calderón
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
ÍNDEX, Journal of Contemporary Art, manages its content rights under the Creative Commons Attribution–NonCommercial 4.0 license. In this regard, submissions remain subject to the author’s decision.
How to Cite
Representation in Pepe Avilés’ Al desafuero II . (2022). Index, Contemporary Art Magazine, 7(14), 32-39. https://doi.org/10.26807/cav.v7i14.424
