Music and technological negotiation: new dynamics of production and cultural consumption

Authors

  • Andrea Angulo, Mst.

DOI:

https://doi.org/10.26807/cav.v0i03.49

Keywords:

digital culture, music, collaboration, technological mediation

Abstract

The connection between music and new media has developed different production methods, other kind of distribution and consumption developed by their audience input. The dichotomy rupture between source and recipient within virtual spaces, has led to creative processes towards networking collaboration with users. That’s why artists can bond with their followers in a direct way and create links which allows them to become the center of social actions. With this connection they have established a virtual community which allows them to expand their influence to make visible their proposals. This article shows a perspective about the role of internet in music distribution in order to use collective intelligence for the movement of digital communication.

Key words: Digital culture, music, collaboration, technological mediation.

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Author Biography

  • Andrea Angulo, Mst.

    Quito, 1982. Magíster en Estudios de la Cultura por la Universidad Andina Simón Bolívar y licenciada en Comunicación con mención en Periodismo de la Pontificia Universidad Católica del Ecuador. Ha coordinado dos proyectos de investigación sobre música popular que fueron ganadores de convocatorias de fondos públicos del Centro de Arte Contemporáneo y del Ministerio de Cultura y Patrimonio. Ha colaborado con proyectos en la creación de contenidos y ha trabajó como redactora para la revista radial Desde Mi Visión, conducida por Michelle Oquendo. Actualmente, está desarrollando la plataforma virtual Enjambre Sonoro, dentro de los Espacios de Trabajo Colaborativo del Medialab de Ciespal.

Published

2017-06-28

Issue

Section

Art Themes

How to Cite

Music and technological negotiation: new dynamics of production and cultural consumption. (2017). Index, Contemporary Art Magazine, 03, 40-46. https://doi.org/10.26807/cav.v0i03.49

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