Art according to Diego Barboza: Party, everyday outbreak through nostalgia

Authors

  • Albeley Rodríguez, Ph.D. (c).

DOI:

https://doi.org/10.26807/cav.v0i03.54

Keywords:

experience, event, performance, popular party, latin america conceptual art

Abstract

This article outlines some aspects of the artistic work positioned by Venezuelan artist, Diego Barboza. Barboza relevance reaches an international level, due to his unique proposals within Latin American conceptualisms framework. When artistic languages moved to global mainstream, Barboza chose to emphasize values and forms of the Venezuelan traditions integrating them to new meaning production strategies with influence over social forms of being with the shared life and the joy and collective incidence in political thinking.

Keywords: Experience, Event, Performance, Popular Party, Latin American conceptual art.

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Author Biography

  • Albeley Rodríguez, Ph.D. (c).

    Mérida, Venezuela, 1978. Candidata a Doctora en Estudios Culturales Latinoamericanos por la Universidad Andina Simón Bolívar y Magíster en Estudios de la Cultura, Mención Políticas Culturales por la misma casa de estudios (2010). Tiene estudios de maestría en Museología (UNEFM, Falcón- Venezuela), y es Licenciada en Letras, Mención Historia del Arte, (ULA, Mérida, 2000). Fue curadora del Museo de Arte Contemporáneo de Caracas desde 2003 hasta 2015 y Directora de Posgrado de la Universidad de las Artes (Ecuador) entre 2015 y 2016. Es autora del libro Cuerpos irreales + arte insumiso en la obra de Argelia Bravo (2014).

Published

2017-06-28

Issue

Section

Dossier

How to Cite

Art according to Diego Barboza: Party, everyday outbreak through nostalgia. (2017). Index, Contemporary Art Magazine, 03, 106-113. https://doi.org/10.26807/cav.v0i03.54

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