FRAME’S INTERVENTION: Symmetry in Peter Greenaway's films

Authors

  • Raúl Yépez

DOI:

https://doi.org/10.26807/cav.v0i02.31

Keywords:

cinematography, symmetry, framing, composition

Abstract

Symmetry is a key element for photography enclosing aesthetic conception, used by Peter Greenaway in most of his films. According to Arlindo Machado “All framing consists in an ideologically driven operation, as it goes in or out the field, and presumes the intention of whom speaks and the accessibility of whom is spoken.” This article makes a reading of this source, joined to the use of procedures used for this action. Furthermore, the concept of symmetry, this text explores meanings and definitions related to framing and structure thought from classical authors point of view, including concepts like photography technique and cinematography.

Key words: Greenaway, Cinematography, symmetry, framing, composition.

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Author Biography

  • Raúl Yépez

    Ibarra, Ecuador, 1968. Arquitecto por la Facultad de Arquitectura y Urbanismo de la Universidad Central del Ecuador, FAU-UC, Quito- Ecuador, 1987. Máster en Cultura Visual. Becario del gobierno brasileño mediante proceso selectivo (primer lugar) del Programa de Postgrado de la Universidad Federal de Goiás, FAV-UFG, Goiás-Brasil, 2010. Área de Concentración en Procesos y Sistemas Visuales. Docente universitario, fotógrafo profesional y artista investigador en el campo del lenguaje fotográ co. Ganador de varios concursos de fotografía. Ha presentado diversas exposiciones de fotografía desde el año 1988, hasta la actualidad (2016) dentro y fuera del país; impartido charlas sobre su trabajo creativo y participado en varias publicaciones.

Published

2016-12-30

Issue

Section

Art Themes

How to Cite

FRAME’S INTERVENTION: Symmetry in Peter Greenaway’s films . (2016). Index, Contemporary Art Magazine, 02, 42-63. https://doi.org/10.26807/cav.v0i02.31

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