Negativity, collapse and mess in Lariza Hatrick's queer photographic proposal
A look from Julia Kristeva
DOI:
https://doi.org/10.26807/cav.vi12.402Keywords:
Abjection, Body, Negativity, Photograph, Lariza Hatrick, DriveAbstract
Lariza Hatrick’s photographic itinerary is filled with dissident sexual identities. However, the Argentinian artist shows little concern in displaying, regaining, and demanding recognition for the identities she portrays. Far from putting her artistic production at the disposal of identity politics aiming to achieve recognition of heterosexual norm, Hatrick captures compositions that confront us with everything that overflows identity borders and classifying taxonomic systems. Her images picture the presence of abjection and the radical negativity that every symbolic order tumbles over. Her pessimist aesthetic is interested in the collapse, wreckage and failure that surrounds existence. She spots an opportunity to interrupt the ruling political order and its violence. This paper offer pictures of damaged and disposed objects. The unspeakable, disturbing echoes flowing there are understood in the light of Julia Kristeva’s contributions.
Downloads
References
Butler, J. (1990). Gender trouble. Feminism and the subversion of identity. New York, United States: Routledge.
Butler, J. (1993). Bodies that matter. On the discursive limits of sex. New York, United States: Routledge.
Butler, J. (2010). Marcos de guerra. Las vidas lloradas. Buenos Aires, Argentina: Paidós.
Freud, S. (1920/1979). Más allá del principio de placer. Obras Completas, Tomo XVIII. Buenos Aires, Argentina: Amorrortu.
Grosz, E. (2001). Architecture from the outside: essays on virtual and real space. Massachusetts, United States: MIT Press.
Halberstam, J. (2018). El arte queer del fracaso. Madrid, España: Egales.
Haraway, D. (1991). Simians, Cyborgs and Women. New York, United States: Routledge.
Kristeva, J. (1982). Powers of Horror: An Essay on Abjection. New York, United States: Columbia University Press.
Kristeva, J. (1984). Revolution in Poetic Language. New York, United States: Columbia University Press.
Kristeva, J. (1986). Stabat Mater. En T. Moi (Ed.). The Kristeva reader. New York, United States: Columbia University Press.
Muñoz, J. E. (2020). Utopía queer. El entonces y allí de la futuridad antinormativa. Buenos Aires, Argentina: Caja Negra.
Takemoto, T. (2016). Queer Art / Queer Failure. Art Journal, 75(1), 85-88.
Downloads
Published
Issue
Section
License
ÍNDEX, Journal of Contemporary Art, manages its content rights under the Creative Commons Attribution–NonCommercial 4.0 license. In this regard, submissions remain subject to the author’s decision.
