Atucucho 1988, towards a cinema-minga

emancipatory effects of a collective audiovisual production in its filmmakers

Authors

  • Emilio Bermeo Donoso FLACSO Ecuador

DOI:

https://doi.org/10.26807/cav.v0i07.182

Keywords:

indigenous cinema, community cinema, visual anthropology, free media

Abstract

In 1988 a group of families occupied a former ranch owned by the Ecuadorian state to conform Atucucho, a neighborhood in the northwest side of Quito, inhabited nowadays by more than 20,000 residents. To commemorate their thirtieth birthday, a short film was produced, in which the first moments of the occupation were reenacted. This article makes use of the discussions around indigenous media and communal filmmaking to walk through the collective production of Atucucho 1988: handmade and elucidate its effects among the participants around their social relations, historic memory, representation, and cultural imaginary.

 

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Author Biography

  • Emilio Bermeo Donoso, FLACSO Ecuador

    Quito, 1987. Licenciado en Comunicación por UDLA; Máster en Comunicación: narrativa y medios digitales por Loyola University Chicago; candidato a Máster en Antropología Visual por Flacso Ecuador.

Published

2019-06-30

Issue

Section

Art Themes

How to Cite

Atucucho 1988, towards a cinema-minga: emancipatory effects of a collective audiovisual production in its filmmakers. (2019). Index, Contemporary Art Magazine, 07, 108-119. https://doi.org/10.26807/cav.v0i07.182

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