What oil painting taught me about epistemology
DOI:
https://doi.org/10.26807/cav.v10i17.593Keywords:
knowledge, epistemology, spot, oil painting, vaguenessAbstract
This essay explores the relation between the material qualities of paint and their affinity with artistic research. The aim is to point out in the characteristics of oil painting, in its vagueness, unrepeatable, and indefinable spots, glimpses of an epistemology that recognizes both, certainty and uncertainty, as elements shaping knowledge.
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References
Bateson, G. (2002). Espíritu y naturaleza (2ª ed.). Amorrortu
Bergson, H. (2009). Introducción a la metafísica (5ª ed.). Porrúa
Ortega y Gasset, J. (2012) ¿Qué es filosofía? En Ortega y Gasset I (pp.89-244). Gredos
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Copyright (c) 2024 Hugo Alejandro Vega de la Torre
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
ÍNDEX, Journal of Contemporary Art, manages its content rights under the Creative Commons Attribution–NonCommercial 4.0 license. In this regard, submissions remain subject to the author’s decision.
