Wellington Arpilleras: the threads of memory, a near-by far away, and a contemporary past

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Maite Galarza
http://orcid.org/0000-0003-3358-9125

Abstract

This text is a political reflection about the creative practice of the Wellington Arpilleras, a collective of Latin American women, living in Aotearoa New Zealand. This inquiry about the Wellington Arpilleras offers a way of “reading” their practice, by bringing forward the ethical and political nature of those group’s interventions that pass-through spaces often reserved to art, academia, and community. To articulate this paper, it is necessary to recall the notion of contemporaneity in Giorgio Agamben. Therefore, Agamben’s questions “‘Of whom and of what are we con-temporaries?’ and, first and foremost, ‘What does it mean to be contemporary?’” are the starting point this inquiry into Wellington Arpilleras practice, with an ethical-political perspective.

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How to Cite
Galarza, M. (2018). Wellington Arpilleras: the threads of memory, a near-by far away, and a contemporary past. Index, Contemporary Art Magazine, (05), 70–75. https://doi.org/10.26807/cav.v0i04.139
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Author Biography

Maite Galarza

María Teresa Galarza. Cuenca, 1981. Practicante del arte e investigadora de temas de género, arte, cultura y derechos humanos. Tiene licenciaturas en cine y educación, leyes, tiene una maestría en Estudios de la Cultura por la UASB y cursó estudios doctorales en Literatura Latinoamericana en la misma institución. Es Ph.D. por el Victorian College of the Arts de la Universidad de Melbourne. Ha trabajado, asesorado y sido consultora en temas de comunicación, arte y educación artística para instituciones públicas y privadas. Actualmente es docente de la Facultad de Artes de la Universidad Central del Ecuador.

References

Bibliografía
Agamben, G. (2009). "What Is the Contemporary?" In What is an apparatus? and other essays, by Giorgio

Agamben, 39-54. Stanford, California: Stanford University Press.

Bacic, R. (2008). "Arpilleras que claman, cantan, denuncian e interpelan." Hechos del Callejón (Programa de Naciones Unidas para el Desarrollo PNUD) (42): 20-22.

Doolan, E. (2016). "Textiles of Change: How Arpilleras can Expand Traditional Definitions of Records." InterActions: UCLA Journal of Education and Information Studies 1 (12).

Rancière, J. (2010). Dissensus: On Politics and Aesthetics. London, New York: Continuum.

Traini, S. (2013). "Unforgotten to the unforgettable: How Arpilleras contributed to Chilean history informing everyday occupations and social change." Work-A Journal Of Prevention Assessment & Rehabilitation 93-96.
https://www.arpilleraswellington.com/