On the experience and the art of narrating. A dialogue between Walter Benjamin and the work of Navin Rawanchaikul A dialogue between Walter Benjamin and the work of Navin Rawanchaikul

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Pedro Ignacio Urtubey

Abstract

 


This paper analyzes the artwork Welcome Visitor (2008), by the Thai artist Navin Rawanchai-kul (1971), under the perspective of German philosopher Walter Benjamin (1892-1940). This analysis begins with a recap of the text The Narrator (1936), where Benjamin theorizes about the terms of “oral narration” and “experience”. Such concepts can be useful keys, indeed the work of Rawanchaikul is based in issues such as the experience of exile and identity in the global world, to show the stories of different migrants. Consequently, this work is based on an interpretative perspective, to stablish a dialogue between a Benjaminian perspective and the analysis of an artwork of one of today’s most resounding contemporary Asian artists.

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How to Cite
Urtubey, P. I. (2019). On the experience and the art of narrating. A dialogue between Walter Benjamin and the work of Navin Rawanchaikul: A dialogue between Walter Benjamin and the work of Navin Rawanchaikul. Index, Contemporary Art Magazine, (07), 78–84. https://doi.org/10.26807/cav.v0i07.202
Section
Art Themes

References

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Benjamin, Walter (2012). El París de Baudelaire. Buenos Aires: Eterna Cadencia.

Benjamin, Walter (2008 [1936]). El narrador. Santiago de Chile: Metales Pesados.

Benjamin, Walter (2007 [1933]). "Experiencia y pobreza", En: Obras, libro II/vol. 1. Título original Gesammelte Schriften, edición de Rolf Tiedemann y Hermann Schweppenhäuser. Traducción de Jorge Navarro Pérez. Madrid: Abada Editores

Galende, Federico. (2009). Walter Benjamin y la destrucción. Santiago: Ediciones Metales Pesados.

Rawanchaikul, Navin. Nota editorial en Sala de Navin, Bangkok, 04 de abril 2008.

Smith, Terry (2009). ¿Qué es el arte contemporáneo? Buenos Aires: Buenos Aires.
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Sala de Navin. Página oficial del artista. www.navinproduction.com