The un-artist: the ‘itself’ of Eliseo Solís Mora

Abstract

The definitions offered by the artist Allan Kaprow in the seventies of the last century, about the un-art and un-ar-tist, continue to hold authenticity in corporeal actions presented around "life" as a main subject. From this it´s considered how the artist can project the un-art as a strategy for understanding the use of their body. In this sense, Venezuelan artist Eliseo Solís Mora start from the deep observation and analysis of human situations, his own and others, with the aim of creating a un-artist speech as a symbol of liberating acts in the midst of a un-art of existence, within a different form of art which declares the interchangeability with other.