Dissenting the user interface

Critique and writing in the age of digital Self-referentiality

Authors

  • Alberto López Cuenca BUAP

DOI:

https://doi.org/10.26807/cav.v7i14.488

Keywords:

digital criticism; alphabetic writing; digital mediations; originary technicity; hypercomplexity.

Abstract

This article presents an inquiry into the current condition of writing and critique within contemporary digital mediations focusing on artist’s Daniel García Andújar web project e-valencia.org. Its argument develops from the work of Tiziana Terranova (2004), Scott Lash (2002) and Bernard Stiegler (1994/2002, 2010) to make sense of the role that interfaces and technological indetermination play in digital critique and writing. These authors characterize digital mediations through hypercomplexity, acceleration and self-referentiality which make critique and writing partial and situated endeavors linked to the inherent imprevisibility of any technological order. This article focuses initially on artist Daniel García Andújar’s e-valencia.org as a form of collaborative writing and ends up recalling Andújar’s work in order to highlight how critique as a form of digitally mediated writing is intertwined with dissent and oblivion as its condition of possibility.

Keywords: digital criticism; alphabetic writing; digital mediations; originary technicity; hypercomplexity.

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Published

2022-11-30

How to Cite

López Cuenca, A. (2022). Dissenting the user interface : Critique and writing in the age of digital Self-referentiality. Index, Contemporary Art Magazine, 7(14), 82–93. https://doi.org/10.26807/cav.v7i14.488

Issue

Section

Art Themes

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