Atucucho 1988, towards a cinema-minga emancipatory effects of a collective audiovisual production in its filmmakers

Main Article Content

Emilio Bermeo Donoso

Abstract

In 1988 a group of families occupied a former ranch owned by the Ecuadorian state to conform Atucucho, a neighborhood in the northwest side of Quito, inhabited nowadays by more than 20,000 residents. To commemorate their thirtieth birthday, a short film was produced, in which the first moments of the occupation were reenacted. This article makes use of the discussions around indigenous media and communal filmmaking to walk through the collective production of Atucucho 1988: handmade and elucidate its effects among the participants around their social relations, historic memory, representation, and cultural imaginary.


 

Downloads

Download data is not yet available.

Article Details

How to Cite
Bermeo Donoso, E. (2019). Atucucho 1988, towards a cinema-minga: emancipatory effects of a collective audiovisual production in its filmmakers. Index, Contemporary Art Magazine, (07), 108–119. https://doi.org/10.26807/cav.v0i07.182
Section
Art Themes
Author Biography

Emilio Bermeo Donoso, FLACSO Ecuador

Quito, 1987. Licenciado en Comunicación por UDLA; Máster en Comunicación: narrativa y medios digitales por Loyola University Chicago; candidato a Máster en Antropología Visual por Flacso Ecuador.

References

Alvarado Sevilla J., (2011). Plan de Mejoramiento Integral del Barrio Atutucho, Quito, Ecuador: Centro de Investigaciones CIUDAD.

Crespo, J, (2015) Propuesta para la implementación de transporte por cable en barrios altos del norte de Quito. Quito, Ecuador: Tesis de maestría en transporte, no publicada, Facultad de Ingeniería, Pontificia Universidad Católica del Ecuador

Gumucio, A., et al., (2014), El cine comunitario en América Latina y el Caribe, Bogotá, Colombia: Fundación Friedrich Ebert

Ginsburg, F. (2002), Screen Memories: Resignifying the Traditional in Indigenous Media, en Ginsburg, F., ed.; Abu-Lughod, Lila ed.; Larkin, Brian, ed. Media worlds: anthropology on new terrain, Berkeley, California: University of California Press.

Guber, R. (2004), El salvaje metropolitano: Reconstrucción del conocimiento social en el trabajo de campo, Buenos Aires, Argentina: Paidós

MacDougall, D. (2006), The CORPOREAL IMAGE: film, ethnography, and the senses, New Jersey: Pinceton University Press

Molfetta, A., ed., (2018), Cine Comunitario Argentino: Mapeos, experiencias y ensayos, Buenos Aires, Argentina: TeseoPress
Ruby, J. (2000), Picturing cu
lture: explorations of film & anthropology. Chicago, IL: University of Chicago Press
Turner, Terrance, Representation, Politics, and Cultural Imagination in Indigenous Video, en Ginsburg, F., ed.; Abu-Lughod, Lila ed.; Larkin, Brian, ed. Media worlds: anthropology on new terrain, Berkeley, California: University of California Press.

Sánchez, (2009), El proceso organizativo afroecuatoriano: 1979-2009, Tesis doctoral no publicada. Quito, Ecuador: Flacso Ecuador

Sjöberg, J. (2008), "˜Ethnofiction: drama as a creative research practice in ethnographic film"™, Journal of Media Practice 9: 3, pp. 229"“242, doi: 10.1386/jmpr.9.3.229/1

Stewart, A., (1998), The Ethnographer"™s Method, Thouans Oka, California: Sage Publications