Collective intelligence
DOI:
https://doi.org/10.26807/cav.v11i21.696Keywords:
art, science, technology, digital culture, research based on artistic practice, digital humanitiesAbstract
Collective Intelligences is an artistic project that invites us to gather intuitions, fictions, thoughts, and dreams that arise around the idea of imagining alternative presents that allow us to look in directions other than dystopian technological predictions.
Have you ever wondered what the planet would be like if we built kinder relationships with the earth and the rest of its inhabitants? This was the question used in the search for imaginative texts from different parts of the world.
The texts received were put into dialogue with an AI system designed to generate images, so that each text left a mark as writing and as a moving image of the coincidences, encounters, contrasts, contradictions, and imaginaries of this moment.
The project aims to initiate a fabric of collective imagination networks that redirect the machinery that designs our subjectivity.
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References
Ascott, R. (1999). Gesamtdatenwerk: Connectivity, transformation and transcendence. En T. Druckrey (Ed.), Ars Electronica: Facing the future (pp. 86–89). MIT Press. https://www.writing.upenn.edu/epc/authors/glazier/syllabi/2002s/docs/ascott.html
García, R., & Porcel, A. (2024). Ruinas, cuerpos y alzamientos. Web del proyecto Inteligencias Colectivas. https://henrylamina.portfoliobox.net/inteligencias-colectivas/ruinas-cuerpos-y-alzamientos
Haraway, D. J. (2019). Seguir con el problema. Generar parentesco en el Chthuluceno. Consonni.
Lamiña Pillajo, H. (2025). Condición digital y (post)humanidades expandidas. Aproximaciones desde la práctica artística multimedia [Tesis doctoral, Universidad de Castilla-La Mancha]. https://hdl.handle.net/10578/45881
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Copyright (c) 2026 Henry Abel Lamiña Pillajo
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
ÍNDEX, Journal of Contemporary Art, manages its content rights under the Creative Commons Attribution–NonCommercial 4.0 license. In this regard, submissions remain subject to the author’s decision.
