Seeing is believing. Photography, ethnography and propaganda in the Ecuadorian Oriente (1893-1940).
DOI:
https://doi.org/10.26807/cav.v0i04.85Keywords:
Photography, etnography, History, Shuar, Quichua, Salesian Missions, event, methodAbstract
From María Fernanda Troya’s curatorial proposal of “Seeing to Believe. Photography, ethnography, propaganda in the Ecuadorian Oriente (1893-1940)” exhibition, presented in Arte Actual; this article reviews the assembly device as a methodological “double exposure” of archives research, texts and photographic images based on questioning historical ethnographic authority and the value of photography as a document.
Key words: Photography, ethnography, history, Shuar, Quichua, Salesian Missions, event, method.
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References
Banchot Maurice (2002). El espacio literario. Madrid: Editora nacional.
Didi Huberman, George (2003). De ressemblance á ressemblance. Maurice Blanchot. Récits critiques. 143-167. Farrago.
Troya, Maria Fernanda (2008). Montaje y Memoria. Encuentros de la Razón Incierta. 36-42. Cinememoria.
Troya, Maria Fernanda (2016). Pour une mémoire et économie visuelles sur les peuples de l'Amazonie équatorienne : photographies sur les Kichwa et Shuar, 1900-1940. Tesis Doctoral. EHESS, Paris, Francia.
Didi Huberman, George (2003). De ressemblance á ressemblance. Maurice Blanchot. Récits critiques. 143-167. Farrago.
Troya, Maria Fernanda (2008). Montaje y Memoria. Encuentros de la Razón Incierta. 36-42. Cinememoria.
Troya, Maria Fernanda (2016). Pour une mémoire et économie visuelles sur les peuples de l'Amazonie équatorienne : photographies sur les Kichwa et Shuar, 1900-1940. Tesis Doctoral. EHESS, Paris, Francia.
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Published
2017-12-21
How to Cite
Laso, F. (2017). Seeing is believing. Photography, ethnography and propaganda in the Ecuadorian Oriente (1893-1940) . Index, Contemporary Art Magazine, (04), 209–212. https://doi.org/10.26807/cav.v0i04.85
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