No. 12 (2021)

Art Themes

Writings from the Exile: On Border Thinking in Luis Camnitzer’s Art Criticism

Fernanda Cubas Pinella

11-39
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Reflections on the tremendous from the material making of the contemporary work of art.

Marta Hernández Parraguez

40 - 52
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From image as representation to image as function: On the algorithmic condition present in three works of contemporary visual art in Chile.

Cristóbal Vallejos

53 - 63
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HUNDERTWASSER: THE FIVE SKINS AS INTERFACES OF COMMON EXPERIENCE

José Luis Sánchez Ramírez, Úrsula Albo Cos

64 - 75
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“ENCAJERA IN SITU” BY BEATRIZ GONZÁLEZ: AN ESSAY ABOUT COLOMBIAN ART

Fabrizio Pineda

76-90
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AN ALBUM OF QUOTES: THE IMAGINARY MUSEUM OF ANDRÉ MALRAUX

Rodrigo Bruna

91-105
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Buddha and Coatlicue: two equidistant forms of manifestation

Janneth Alyne Pérez López

106-115
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Representing, documenting and grieving: the photographic archive of Adelina Dematti de Alaye-Mother of Plaza de Mayo.

María Emilia Nieto

116-132
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PACHAQUEER, ART THAT TRANSFORMS

Kleber Santiago Cerón Orellana

133-150
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Visuality and damage. Notes on nature and environment in Argentine art

Verónica Cecilia Capasso

151-164
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Recognition of the Bauhaus: art, design and technique, 1919 - 1933 Los inicios de la novedosa propuesta pedagógica, el fin de la Gran Guerra

Carlos Ortega

211-225
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Feminist collectivity in art activism Methodologies in Andrea Zambrano Rojas’ Calzones Parlantes

Kasumi Iwama

165-178
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Hypotheses about the (dis) agreement between artistic research and scientific research.

Sara Fuentes Cid, João L. Cordovil

179-194
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Negativity, collapse and mess in Lariza Hatrick's queer photographic proposal A look from Julia Kristeva

Ariel Martínez

195-210
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Reviews

Atmospheric record

Consuelo Crespo

226-233
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Curatorial

FERNANDO FALCONÍ. THE FORM OF LIFE A forma da vida

Giada Lusardi

234-243
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Art Themes

Writings from the Exile: On Border Thinking in Luis Camnitzer’s Art Criticism

Reflections on the tremendous from the material making of the contemporary work of art.

From image as representation to image as function: On the algorithmic condition present in three works of contemporary visual art in Chile.

HUNDERTWASSER: THE FIVE SKINS AS INTERFACES OF COMMON EXPERIENCE

“ENCAJERA IN SITU” BY BEATRIZ GONZÁLEZ: AN ESSAY ABOUT COLOMBIAN ART

AN ALBUM OF QUOTES: THE IMAGINARY MUSEUM OF ANDRÉ MALRAUX

Buddha and Coatlicue: two equidistant forms of manifestation

Representing, documenting and grieving: the photographic archive of Adelina Dematti de Alaye-Mother of Plaza de Mayo.

PACHAQUEER, ART THAT TRANSFORMS

Visuality and damage. Notes on nature and environment in Argentine art

Recognition of the Bauhaus: art, design and technique, 1919 - 1933 Los inicios de la novedosa propuesta pedagógica, el fin de la Gran Guerra

Feminist collectivity in art activism Methodologies in Andrea Zambrano Rojas’ Calzones Parlantes

Hypotheses about the (dis) agreement between artistic research and scientific research.

Negativity, collapse and mess in Lariza Hatrick's queer photographic proposal A look from Julia Kristeva

Reviews

Atmospheric record

Curatorial

FERNANDO FALCONÍ. THE FORM OF LIFE A forma da vida

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