Apartheid, Social Documentary Photography in South Africa and how the photographer David Goldblatt approaches the Apartheid in his daily life scenes

8-21

Kintsugi:

performativity and critical research in the questioning of normativity

The social world beyond the human: multispecies relationships through contemporary Amazonian art

34-45

Research-creation in visual and performing arts: trasdisciplinarity and collaboration in Memory Dance project (GDL 925)

46-63

Disciplinary Visuals Technologies:

photographic archives, modern pathos and artistic declassification in Rossagela Rennó’s and Mujeres Creando’s artwork

64 - 76

Notes about an Infamy Esthetic in the Work of Martha Pacheco

78-88

Uses of photographs of the disappeared and murdered people as a device and iconographic element in memory and human rights activism in Argentina

90-101

Replicas and returns, activating the past from contemporary art

102 - 119

Emerging camouflage from the ancient past.

The feather in the work or María Fernanda Cardoso

120 -132

Without crushing the pulp:

chlorotyping practices with Tungurahua leaves

134 - 144

The Nameless Lands:

In the middle of the lake

146-181

Performance as a decolonizing artistic practice

182-193

DAVID ORBEA_ INFORMAL TROPIC

198 -203

The Cave I Inhabit. Maureen Gubia

Dommun

222-227